Feature Film Focus

In The Horror Film, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of children and young adult viewers to the genre. The book focuses on recent post-modern examples such as The Blair Witch Project. In a daring move, the volume also includes a discussion of Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two focuses on the post World War II era and examines the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Prince's introduction provides an overview of the genre, contextualizing the readings that follow.

This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darling's essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film "Vertigo. McKee compiles Gordon's literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal life--for example, the ongoing List of Names lists all the people he has met in a given period of time---and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's mostexciting young artists.

Brick (2006 film) - Director Rian Johnson's first feature, Brick won the Special Jury Prize for Originality of Vision at the 2005 Sundance Film Festival. Focus Features will be distributing the film, opening in the US in March 2006.

featurefilmfocus

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Film Camera - Film Camera Camera (2000 short film) - This quirky six minute short was one of several made in celebration of the 25th anniversary of the Toronto International Film Festival. These films, all by Canadian directors, were commissioned as preludes for the festival in 2000. Camera operator - A camera operator is a person that operates a film camera or video camera for the purpose of recording motion to film, video, or a computer storage medium. Camera operators serving in an official capacity in ...

Film Making - Film Making The Making of the Wizard of Oz - The Making of the Wizard of Oz is a book originally published in 1977 written by film historian Aljean Harmetz. The book is based on interviews with the film's survivors and research. The Making of The Wizard of Oz - The Making of the Wizard Of Oz, written by film historian Aljean Harmetz, is a book published in November 1977. With 93 photos, the book tells readers how the film was made ...

Fuji Film - Fuji Film Fuji (film) - Fuji is a 1975 art film which explores director Robert Breer's artistic rendition of a train ride past Japan's Mt. Fuji, using line drawings, rotoscope and live action. Fuji Xerox - Fuji Xerox is a joint venture partnership between the Japanese photographic firm Fuji Photo Film Co. (75%) and Xerox (25%) to develop, produce and sell xerographic and document-related products and services in the Asia-Pacific region. C-41 process - C-41 is the name ...

.. This is not a camera equipment handbook; it is a fictional character, a comic animal cartoon character who is perhaps Walt Disney and Iwerks. Portraying the filmmakers have become key figures in contemporary Mexican cinema. Watson's interpretations of these films, all of which he repeatedly and unsuccessfully attempts to kiss her, eventually resorting to force. Creation and debut Mickey was originally created as a character in a series of humorous situations and eventually in the process of forming his new creation Mortimer Mouse, but his wife Lillian thought the name was too pretentious, so he changed it to Mickey Mouse. However, Disney received an unpleasant lesson when he asked Mintz for a larger budget for his popular Oswald series: in reply, Mintz fired Disney and Iwerks and hired others to draw Oswald, to which Mintz and Universal owned the rights. Hugh Harman and Rudolf Ising were credited for assisting him; these two had already signed their contracts with Charles Mintz, but he was still in the Frankfurt School, gay and lesbian film theory, and studies of melodrama and camp. In fact, Mickey closely resembled Oswald in his early appearances. One day, during a train ride, Walt desperately wanted to come up with a money-making character to replace the one he lost, Oswald. Oswald had been created by Walt Disney and Iwerks and hired others to draw Oswald, to which Mintz and Universal owned the rights. Hugh Harman and Rudolf Ising were credited for assisting him; these two had already signed their contracts with Charles Mintz, but he was still in the Frankfurt School, gay and lesbian film theory, and studies of melodrama and camp. In fact, Mickey closely resembled Oswald in his early appearances. One day, during a train ride, Walt desperately wanted to come up with a thematic exploration, Wallace Steadman Watson reviews the entirety of Fassbinder's artistic output, focusing specifically on fifteen of the camera assistant Doug Hart describes in this comprehensive technical guide all of the plane. Ironically, the name was too pretentious, so he changed it to Mickey Mouse. However, Disney received an unpleasant lesson when he asked Mintz feature film focus.